Author: Derek Barocas

The Canon CN-E 18-80mm T4.4 COMPACT-SERVO Cinema Zoom Lens has landed at LVR!

 

The Canon COMPACT-SERVO 18-80mm T4.4 EF is an extremely lightweight and compact lens, measuring 7.2″ long and weighing only 2.65 lbs. It is designed for use with EF-mount cameras that have Super 35 or APS-C sized sensors. Additionally, this lens’s focal range extends from 18-80mm, all-the-while maintaining a T-Stop of 4.4. The COMPACT-SERVO 18-80mm is Canon’s first cine lens to employ image stabilization as well as auto-focus with Cinema EOS cameras.

Moreover, this lens is equipped with a servo drive unit that, conveniently, is compatible with standard lens controllers.

Check out the video below to see sample footage of the Canon CN-E 18-80mm in action.

Features:
• Consistent brightness throughout the entire zoom range
• 4K Optical Performance
• Color consistency with all other Canon Cine Lenses
• Continuous Iris Control Capability with Iris Ring
• 9 Blade Iris
• Flange Back Adjustment

To see all the specs and find out more, check out Canon’s website.

Click here to rent the Canon CN-E 18-80mm T4.4 COMPACT-SERVO Cinema Zoom Lens at LVR!
For any questions about renting or more information about this lens, give us a call at (212) 594-0086, email us at [email protected], or come see us in person at one of our locations in Midtown, Manhattan or Bushwick, Brooklyn.

2018 LVR CINE CAMERA CHART

Click the image below to compare specs of some of our most popular cameras on LVR’s 2018 Cine Camera Chart.

 

 

 

ARRI ALEXA LF Large Format Camera
ARRI’s newest addition to their ALEXA Line, the LF provides the best image quality of any ARRI camera yet. The LF’s sensor is larger than full frame and records in 4.5K. This camera yields a large-format aesthetic while it retains the sensor’s natural colorimetry, for remarkable HDR and WCG workflows.

SPECS:
•All new LPL lens mount
• Ships with PL-to-LPL Adapter
• Compatible with all ARRI ALEXA Accessories
• Records in ARRIRAW (.ari) & QuickTime/ProRes (422, 422 HQ, 4444 & 4444 XQ)
•7.8 kg/17.2 lbs.
•44mm Flange Focal Depth
• 36.7 x 25.54mm maximum sensor size
• 4448×3096 maximum capture resolution

Click here to see all the specs.

 

ARRI ALEXA SXT
The ALEXA SXT features an integrated wireless radio for remote camera and lens control. In addition, this camera has a very high dynamic range and is uniquely suited to true anamorphic shooting. (DOES THIS MAKE SENSE?/??) a

SPECS:
• ProRes 4K UHD & Cine in-camera recording (and other new recording formats)
• All sensor modes in ARRIRAW and ProRes
• Improved Image Quality
• New ARRI Look Management (ASC CDL & 3D LUTs)
• 3 independent HD-SDI monitoring outputs
• Faster, high capacity SXR Capture Drives

Click here to see all the specs.

 

ARRI ALEXA Mini

Perhaps the most versatile camera in the ALEXA range, the ALEXA Mini has an extremely lightweight and robust body. However, it maintains the incredible image quality that ARRI ALEXA series cameras have become known for. The compact formfactor makes this camera perfect for gimbal mounting.

SPECS:
•35mm Format (4:3)
• No Crop Factor
• Media – CFast 2.0 Memory Cards
• Records in ProRes 4444XQ, 422 (HQ), 422, 422(LT), ARRIRAW
•5 lbs.
• Working Conditions from -20° C to +50° C

Click here to see all the specs.

 

ARRI ALEXA Amira
The AMIRA features a 4K UHD recording format developed for productions that require high-resolution deliverables. It allows ProRes codecs up to ProRes 4444 to be recorded in Ultra High Definition 3840 x 2160 resolution. Additionally, the AMIRA can record directly onto the in-camera CFast 2.0 cards, at up to 60 fps. The AMIRA also features optional in-camera de-noising, sharpening and detailing tools.

SPECS:
• Embedded – 0.6, 1.2, and 2.1 ND Filters
•9.2 lbs.
•Super 35 Sensor
•16:9 Aspect Ratio
•800 Native ISO

Click here to see all the specs.

 

SONY VENICE
The full-frame VENICE camera is officially the top model of Sony’s CineAlta line and something you’re really going to want to get your hands on. The VENICE features eight steps of built-in ND, from 0.3 to 2.4, and a 36x24mm sensor with 6K resolution. It also supports both PL and E-Mount lenses.

SPECS:
• LP and EF lens mount
• Dimensions measure 133 x 159 x 172 mm without protrusion
• Recording Codecs/Formats include X-OCN Compressed Raw onto AXS-R7 Recorder, 4K XAVC – Class480/300, ProRes HQ/422/LT, MPEG HDX-OCN
• Sensor options include 6K Full-Frame 3:2 mode (6048 x 4032), 4K Anamorphic 4:3 and 6:5 (4096 x 3432), 4K Super 35 mode (window)
• Pixel count of 24.7M (total), 24.4M (effective)

Click here to see all the specs.

 

SONY F55
The Sony PMW-F55 is a compact and versatile 4K camera with 120 fps capabilities. In addition, this camera is amongst the first to feature a global shutter. This works to eliminate shutter distortions such as motion skew.

SPECS:
• 8.9MP Super 35mm CMOS Image Sensor
• Internal 4K/2K/HD Recording
• Electronic Global Shutter
• Highly Modular Design
• Optional 4K/2K RAW Recorder
• Up 240 fps 2K with Optional AXS-R5
• Native FZ-Mount and PL-Mount Adapter
• Dynamic Range Rated at 14 Stops
• Wider Color Gamut than Film
• SxS Pro+ Media Cards

Click here to see all the specs.

 

SONY FS7 II
This camera expands on the original FS7 while remaining a very flexible 4K camera system. It was designed with the capability to capture a diverse range of productions from reality television to feature films and beyond.

SPECS:
• Super 35-Sized CMOS Sensor
• Locking Sony E-Mount
• Integrated Electronic Variable ND Filter
• DCI 4K (4096 x 2160) up to 59.94p
• UHD up to 59.94 fps, HD up to 180 fps
• XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
• Supports Rec. 709 and BT-2020
• Dual XQD Memory Card Slots
• Dual HD/3G-SDI & HDMI Output
• Ergonomic Handgrip with Camera Controls

Click here to see all the specs.

 

CANON EOS C300 MARK II
The EF lens mount on the EOS C300 offers compatibility with Canon’s existing broad range of DSLR lenses as well as their line of EF-mount CN-E cinema prime and zoom lenses. In addition, the Super 35mm CMOS sensor provides faster and more precise auto focusing.

SPECS:
• Super 35mm CMOS Sensor
• 4K,1920×1080 60/50i, 23.98/25p True 24p
• Canon XF AVC H.264 Codec
• EF Lens Mount
• Dual Pixel CMOS AF Technology
• Rotating 4″ LCD Monitor
• 2 x 3G-SDI Output, 2x XLR Inputs
• 2 x CFast Card Slots
• Timecode I/O, Genlock In & Sync Out
• Canon Log 3 Gamma

Click here to see all the specs.

 

Click here to explore all cameras available for rent at LVR!

This week, we want to draw attention to one of our personal favorite camera stabilization systems: the Ready Rig GS +ProArm Kit!

 

^{Image Credit: Ready Rig}

The Ready Rig evenly disperses the weight from a gimbal-mounted camera to the user’s hips and core in order to relieve operator fatigue and keep the user shooting comfortably, for longer. However, the Ready Rig GS +ProArm Kit improves upon the original Ready Rig GS system by increasing the payload capability and delivering added stability across a wider range.

The arms are constructed of carbon fiber, making the system both durable and lightweight. The Ready Rig GS +ProArm has a carrying capacity of 40 pounds, as opposed to the 30 pound limit when using the Ready Rig GS alone. This allows the user greater freedom when selecting their camera package. Additionally, the arms telescope from 23” to 37”, creating a 55” effective boom range. Finally, the arms have threads which allow you to mount an on-board monitor easily to either (or both!) arm.

Check out the video below to see how easy the Ready Rig +ProArm Kit is to put on.

 

 

Features:
• Load Capacity 1-40 lbs
• Vertical Axis Stabilization
• Telescoping Carbon Fiber Support Arms
• 55″ Boom Range
• Compatible with all Gimbals
• Allows ability to use gimbal both over and underslung
• Made of Aluminum and Carbon Fiber

 

To see all the specs and find out more, check out Ready Rig’s website.

 

 

Click here to rent the Ready Rig +ProArm Kit at LVR!

For any questions about renting or more information about this kit, give us a call at (212) 594-0086, email us at [email protected], or come see us in person at one of our locations in Midtown, Manhattan or Bushwick, Brooklyn.

A whole new batch of DJI Ronin 2’s just landed at Lvr.
Rent ‘em while they’re fresh!

“The simplicity of Ronin has been amplified with Ronin 2, making setup and use easier than ever. Everything, from mounting cameras to balancing and tuning, powering accessories and transportation has been tweaked and refined for ease and speed.” – DJI

^{The Ronin 2 can also be mounted and controlled remotely.}

 

ABOUT THE DJI RONIN 2:

 

The DJI Ronin 2 3-Axis Handheld / Aerial Stabilizer is the ultimate tool for image stabilization. DJI outdid themselves when they released the second version of this popular gimbal, as it features massive upgrades.

Physically, the Ronin 2 weighs about 40lbs, a bit heavier than the first Ronin. However, it also boasts an upgraded design, including a detachable grip. This allows the user to separate part of the hand grip when it is not needed. It also allows the Ronin to stand without support. In addition, the Ronin 2 features increased compatibility with Steadicams, drones, cranes and beyond.

The Ronin 2 also contains enhanced high torque motors. This upgrade makes the Ronin 2 more resistant to high winds, allows it to support a more comprehensive array of cameras, and just generally keeps things moving more smoothly.

Many users also enjoy the ease with which the Ronin 2 can be set up and calibrated thanks in part to features such as auto-calibration and an on-unit menu monitor.

Finally, the Ronin 2 is a sturdy piece of equipment. It features a splash-proof enclosed motor design as well as an improved system of cable management. This makes this gimbal perfect for shooting in more trying environments.

 

 

Click here to rent the Ronin 2 at LVR!
For any questions about renting or more information about the Ronin 2, give us a call at (212) 594-0086 or email us at [email protected].

The long-awaited ZEISS Supreme Prime Lenses are finally here!

“The ZEISS Supreme Prime lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems.” – ZEISS

 

 

ZEISS’s new line of full-frame primes consists of 13 lenses of different focal lengths. Although, at this time, only five of them have been released – 25mm, 29mm, 35mm, 50mm, 85mm. The 100mm lens is expected to come out by the end of the year. However, ZEISS is keeping us in suspense, as the remaining lenses will not be made available until 2019 and 2020.

According to ZEISS, the cornerstone of these lenses is the consistency across the entire line. The company specifically cites “coverage, color rendering, aperture, size, weight, and ergonomics.” In addition, all of these lenses feature a 46.2mm image circle and 10 out of the 13 are T1.5. This makes the Supreme Primes an ideal cine candidate for shooting in any low-light situations.

 

 

Additionally, the line features a small diameter of 95mm on almost all lenses and a uniform positioning of both the focus and iris rings allows for easy equipment swap-outs. These lenses also feature an interchangeable mount system, making it easy to change from PL-mount to LPL or EF. This mount system gives the user more flexibility and freedom when choosing what camera to pair with Supreme Primes.

 

 

Click here to rent the new ZEISS Supreme Primes at LVR!

Give us a call at (212) 594-0086 or email us at [email protected] with any questions about the ZEISS Supreme Primes.